Image of the Black in Western Art, Volume IV

From the American Revolution to World War I, Part 1: Slaves and Liberators

Author David Bindman

Edited by Henry Louis Gates and Karen C. C. Dalton

Contributions by Hugh Honour

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In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.

Slaves and Liberators looks at the political implications of the representation of Africans, from the earliest discussions of the morality of slavery, through the rise of abolitionism, to the imposition of European imperialism on Africa. Popular imagery and great works, like Gericault’s Raft of the Medusa and Turner’s…

$138.00

May 7, 2012

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David Bindman is emeritus Durning-Lawrence professor of the history of art at University College London. He is currently a fellow of the Hutchins Center for African and African American Research, Harvard University, and he was a visiting professor of history of art at Harvard, 2011–2017. His publications include Blake as an Artist, Hogarth and His Times: Serious Comedy, Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century. Since 2006, he has been the editor with Henry Louis Gates, Jr., of the Image of the Black in Western Art series, in twelve volumes so far.