Image of the Black in Western Art, Volume III
From the Age of Discovery to the Age of Abolition, Part 2: Europe and the World Beyond
In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.
Europe and the World Beyond focuses geographically on peoples of South America and the Mediterranean as well as Africa—but conceptually it emphasizes the many ways that visual constructions of blacks mediated between Europe and a faraway African continent that was impinging ever more closely on daily life, especially…
$138.00
November 14, 2011David Bindman is emeritus Durning-Lawrence professor of the history of art at University College London. He is currently a fellow of the Hutchins Center for African and African American Research, Harvard University, and he was a visiting professor of history of art at Harvard, 2011–2017. His publications include Blake as an Artist, Hogarth and His Times: Serious Comedy, Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century. Since 2006, he has been the editor with Henry Louis Gates, Jr., of the Image of the Black in Western Art series, in twelve volumes so far.