Mule Bone
A Comedy of Negro Life
Holiding an exceptional place in the history of African-American theater, Mule Bone is the energetic and often farcical play co-written by Harlem Renaissance luminaries Zora Neale Hurston and Langston Hughes. The play centers on a two-man song-and-dance team and the woman who comes between them. Jealousy between the men erupts with the use of a mule bone as a weapon, and the ensuing hilarity and chaos splits the town into two factions.
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February 12, 2019
Langston Hughes (1902–1967), a central figure of the Harlem Renaissance and one of the most influential and esteemed writers of the twentieth century, was born in Joplin, Missouri, and spent much of his childhood in Kansas before moving to Harlem. His first book of poetry, The Weary Blues, was published in 1926; its success helped him to win a scholarship to Lincoln University, in Pennsylvania, from which he received his B.A. in 1929 and an honorary Litt.D. in 1943. Among his other awards and honors were a Guggenheim Fellowship, a Rosenwald Fellowship, and a grant from the American Academy of Arts and Letters. Hughes published more than thirty-five books, including works of poetry, short stories, novels, an autobiography, musicals, essays, and plays.
Angela Flournoy (introduction)…
ZORA NEALE HURSTON, the author of Their Eyes Were Watching God, was deemed "one of the greatest writers of our time" by Toni Morrison. With the publication of Lies and Other Tall Tales, The Skull Talks Back, and What's the Hurry, Fox? new generations will be introduced to Hurston's legacy. She was born in Notasulga, Alabama, in 1891, and died in 1960.