The World Is a Carpet
Four Seasons in an Afghan Village
An unforgettable portrait of a place and a people shaped by centuries of art, trade, and war.
In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet.
Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and…
$32.00
June 3, 2014
Anna Badkhen has spent most of her life in the Global South. Her immersive investigations of the world's iniquities have yielded six books of literary nonfiction, most recently Fisherman’s Blues. She has written about a dozen wars on three continents, and her essays and dispatches appear in periodicals and literary magazines such as the New York Review of Books, Granta, The Common, Guernica and the New York Times. Her awards include the Guggenheim Fellowship, the Barry Lopez Visiting Writer in Ethics and Community Fellowship, and the Joel R. Seldin Award from Psychologists for Social Responsibility for writing about civilians in war zones.
