Hazmat
HAZMAT, meaning “hazardous material,” is an abbreviation familiar from signs at the entrances to long dark tunnels or on the sides of suspicious containers. Here, in a series of stunning poems, J. D. McClatchy examines the first hazmat we all encounter: our own bodies. The virtuosic “Tattoos” meditates on why we decorate the body’s surface, while other poems plunge daringly inward, capturing the way in which everything that makes us human–desire and decay, need and curiosity, the jarring sense of loss and mortality–hovers in the flesh. In the midst of it all is the heart, its treacheries, its gnawing grievances, its boundless capacities.
With their stark titles (“Cancer,” “Feces,” “Jihad”), McClatchy’s poems work dazzling variations on…
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April 6, 2004J. D. McClatchy (b. 1945) was the author of eight collections of poetry and three collections of prose. He edited numerous other books, including The Vintage Book of Contemporary American Poetry, and wrote a number of opera libretti that have been performed at the Metropolitan Opera, Covent Garden, La Scala, and elsewhere. He was a member of the American Academy of Arts and Letters, where he served as president from 2009 to 2012. McClatchy taught at Yale University and long served as editor of The Yale Review. He died in April, 2018.