Chris Raschka

I’m sometimes asked about my general approach to illustration, which has over the years come to be described as minimal. Hmm, I’m not sure minimal is such a complimentary term, but I’ll accept it. I wasn’t always minimal. In the early days I was laying it on as thickly as I could, trying very hard to get it right. But I found that the harder I tried, the more tired whatever it was I was working on looked. And then I grew tired of it as well.
 
“There is too much sweat in it,” is how my friend, the artist Vladimir Radunsky, would put it. 
 
Perhaps he means that there has been an imposition of too much of… Keep Reading