The attraction of lunatic balls seems to have come not only from the fear of violence or unpredictability in asylum-dwellers’s behaviour, but from the existential threat of being forced to ponder the blurry distinction between sanity and insanity.— Linda Besner
Talking to the director and co-writer of Eden about authenticity in portraying electronic music on film, refusing to moralize about partying, and the masterpiece that is Showgirls.
By situating a lesbian love affair in the conventions of classic Hollywood filmmaking, Desert Hearts became a cult favorite.
The author of The Seven Good Years on peace versus compromise, Hebrew Book Week, and how writing fiction is like dreaming.
Twenty-one years later, a young woman’s murder continues to haunt the people who loved her.
The fourth and final installment in our fiction series, wherein we’ve asked four authors to write a short story inspired by World War I. Commissioned in partnership with the Globe and Mail.
In this ancient Pompeii, sex was marketed unapologetically, with a directness that would shame the most mercenary of modern advertisers. Independent sex workers used graffiti to advise clients of prices and locations, while erotic frescos functioned as non-verbal signage for brothels, luring in passersby.— Alexandra Kimball
A stint teaching at a writer’s workshop in Ramallah leads the author to examine the Palestinian resistance through the literature that has shaped it. An excerpt from the latest Hazlitt Original.
How royalty went from almighty overlords to household mongrels — a new perspective on the monarchy. An excerpt from the latest Hazlitt Original.