A car accident joins strangers linked by an intimate knowledge of madness. A teenage boy remembers his father’s act of sudden and self-righteous violence. A “hurricane party” reunites a couple whom tragedy parted. And, in an unforgettable three-story cycle, an illness sets in profound relief a man’s relationship with his mother and the odd, shifting fidelity of truth to love.
Told in fresh, lyrical voices and taut, inventive styles, these narratives explore the complex volatility of love and intimacy, sorrow and renewal—and expose how often these experiences feel like the opposite of themselves. From the woman whose young son’s uncanny rapport with snakes illuminates her own missed opportunities to the man confronting his wife and her lover in a house full of illegal exotic birds, all the characters here face moments of profound decision and recognition in which no choice is clearly or completely right.
Writing with tough humor, deep humanity, and a keen eye for the natural environment, Bret Anthony Johnston creates a world where where cataclysmic events cut people loose from their “regular lives, floating and spiraling away from where we had been the day before.” Corpus Christi is a extraordinarily ambitious debut. It marks the arrival of an important, exquisitely talented voice to American fiction.
From the Hardcover edition.
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As Hurricane Alicia drifted north-northup the Gulf Coast from Veracruz, Mexico, Sonny Atwill stood outside McCoy's Lumber hanging no plywood signs in the windows. A gray, blurring rain blew over the parking lot, diffusing the headlights of cars waiting for empty spaces. Horns blared and bleated. In...
In “Waterwalkers,” Sonny and Nora remember the hurricane party at which they met very differently. What do their different memories reveal about each of them? What larger implications does this have for their current relationship?
2. Nora tells Sonny:...
-Chris Offutt, author of Kentucky Straight
"Bret Anthony Johnston's stories read as if they'd been written by someone who's lived various lifetimes, time enough to develop real wisdom, generosity and the art of making strong clean sentences. What I especially love about these stories is the fact that many of the characters walk the finest line between violence and love, and they do so with a tenderness that is heartbreaking."
"Bret Anthony Johnston is a name to put on your list--that list of writers you always read first. He knows how you can despair of people and go on treasuring them--hard-living, hard-headed, unexpected people who look out of his stories like brightly lit signposts on a dark highway. 'Look here,' they say. 'Right here.'"
"In his first collection of stories, Bret Anthony Johnston eloquently depicts individual lives at once haunted and painfully enriched by memory, and by the losses of which memory is made. A wise and moving debut by a talented young writer."
-John Burnham Schwartz, author of Claire Marvel
From the Hardcover edition.