The Song of Kahunsha
Chamdi’s quiet life takes a sudden turn, however, when he learns that the orphanage will be shut down by land developers. He decides that he must run away in search of his long-lost father, taking nothing with him but the blood-stained white cloth he was left in as a baby.
Outside the walls of the orphanage, Chamdi quickly discovers that Bombay is nothing like Kahunsha. The streets are filthy and devoid of colour, and no one shows him an ounce of kindness. Just as he’s about to faint from hunger, two seasoned street children offer help: the lovely, sarcastic Guddi and her brother, the charming, scarred, and crippled Sumdi. After their father was crushed by a car before their eyes, the children were left to care for their insane mother and their infant brother. They soon initiate Chamdi into the brutal life of the city’s homeless, begging all day and handing over most of his earnings to Anand Bhai, a vicious underworld don who will happily mutilate or kill whoever dares to defy him.
Determined to escape the desperation, filth, and violence of their lives, Guddi and Sumdi recruit Chamdi into their plot to steal from a temple. But when the robbery goes terribly awry, Chamdi finds himself in an even worse situation. The city has erupted in Hindu-Muslim violence and, held in Anand Bhai’s fierce grip, Chamdi is presented with a choice that threatens to rob him of his innocence forever.
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Without warning, the man rams the iron rod into the face that peers through the window. There is a sickening crunch and the face disappears. That must be Hanif the taxiwala, thinks Chamdi. The man stands guard outside the window, the iron rod by his side. He looks ready to repeat his actions should...
1. Chamdi develops a unique worldview while growing up in the orphanage: e.g., colours have power; thinking makes things possible; real prayer means sending a bright thought, like Thank you or I love you, to heaven…Do you share any of Chamdi’s beliefs? Did any of his ideas change the way you...
–Wayson Choy, author of All That Matters
"[Irani] vindicates the fragile but triumphant scope of childhood imagination with touching grace."
—The Globe and Mail
"[Irani] rewrites Dickens’ Oliver Twist with his native Bombay replacing 19th century London. . . . Pure storytelling."
"Irani has written a gripping and compassionate novel that will resonate long after readers have completed it."
—Winnipeg Free Press