The Stowaway moves seamlessly between two storylines. Aboard the Maersk Dubai, Rodolfo and his crewmen must deal with the emotional trauma of what they’ve seen – as well as grapple with how to act on what they know. The atmosphere on the ship grows increasingly tense as fear, anxiety and paranoia grip the Filipino sailors. Trapped witnesses to a crime, they wonder whom they can trust and whether they themselves will meet with the same fate as the stowaways.
Meanwhile, a nineteen-year-old Romanian named Daniel Pacepa heads out on a nail-biting adventure from Bucharest to Algeciras. Poor, brave and full of youthful indiscretion, Daniel is desperate to stow away on a ship and head to a better life in America. Along the way, he meets another Romanian named Gheorghe and together they perform cheap labour, pose as evangelical Christians and do whatever it takes to find their way to the Spanish port of Algeciras.
Eventually the two stories merge when Daniel and Gheorghe sneak onto the ill-fated Maersk Dubai. One man is killed, the other discovered by Rodolfo. Once again, the Filipino crewmen find themselves faced with an excruciating moral dilemma. Do they risk their own personal safety to save the life of a complete stranger?
All of the scenes involving the Filipino sailors are as close to the truth as Robert Hough could manage based on exhaustive interviews with the crewmen as well as on their letters and journals. Though Hough invented the Romanians’ land adventure, he based the story on considerable research, including interviews with Romanian-Canadians who had lived under the Ceausescu regime.
Hough was widely praised for the deft way in which he mixes fact and fiction in The Stowaway. The critics were also unanimous in their admiration for the novel’s ability to seduce with suspense while at the same time posing profound issues for the reader to ponder. “This is a powerful novel that artfully combines the vivid, breathless pacing of the best adventure stories with the moral and metaphysical depth of the best literary fiction,” said Quill & Quire. And from the Vancouver Sun: “Harnessing the force of fiction and the weight of history, Hough has created a powerful, deeply human masterpiece out of tragedy and inhumanity.”
READ AN EXCERPT
A knocking comes at the door of the bosun’s cabin, followed by a hoarse whisper, seeping through metal.
“Hey, Bose, time to get up.”
Rodolfo Miguel stirs. His nickname is called again, and this time he mutters, “All right, Manuel, I’m awake.” Beneath him,...
1. The Stowaway has been called a “curious hybrid, similar to some of Norman Mailer’s works.” What qualities of the book strike you as characteristic of historical fiction, of literary fiction, of an adventure story and of an existential thriller?
2. After the first two stowaways...
—The Vancouver Sun
“This is a powerful novel that artfully combines the vivid, breathless pacing of the best adventure stories with the moral and metaphysical depth of the best literary fiction.”
—Quill and Quire, Feb. 2004
"The Stowaway is a terrific contemporary sea-story. It resonates with the great themes of maritime literature and reminds us that the sea is, even now, an arena of suffering and high courage and a crucible of moral choice. The story of murder, fear and redemption aboard the "Maersk Dubai" comes vividly alive in this fine, compelling novel."
—Derek Lundy, author of The Way of a Ship and Godforsaken Sea
Praise for The Final Confession of Mabel Stark:
“Robert Hough pulls together fact and fiction to unfurl a life that invites sheer, slack-jawed fascination.”
“Never flagging, the compelling story thunders along like a runaway circus train bearing a dangerous cargo of painful memory, wild animals, grotesque characters and outlandish stories, all told through the distinctive, often humorous, voice Hough creates for his protagonist.”
—The Globe and Mail
“The frame story . . . is reminiscent of both The Stone Angel and The Stone Diaries. . . . Mabel Stark is a bold and remarkable literary creation.”
—The Vancouver Sun
“This is one of the most enjoyable and involving first novels that I have read in years. . . . Mabel Stark is the first heroine I’ve fallen in love with for a long time.”
—The Gazette (Montreal)