The novel begins in 1876, when three of the survivors – George Tyson, Tukulito and Roland Kruger–are uneasily reunited four years after they were rescued from the ice. They are still inextricably connected by their ordeal–and Tyson has recently published an account of their shattering experiences which casts Kruger as a spy and villain, and disgraces Tukulito as well.
What happened on the ice, as Afterlands explores, was far more complex. The heart of the book moves between Tyson’s diaries and a riveting narrative of Arctic survival. From the moment they are set adrift, and even before, Kruger and Tyson seem destined to clash: Kruger is an intelligent individualist, an outsider who refuses to be loyal to any one country; Tyson, meanwhile, is a flawed but sometimes brilliant leader, a man who needs to constantly be testing himself against the world. Brave but also insecure, he is unable to stop the German contingent of his party from banding together under their national flag in an armed near-mutiny on the drifting ice.
The third key character in this book, Tukulito, was the Arctic’s first professional interpreter. Known also as Hannah, she moves between two worlds: expert at gutting a seal, she has also had tea with Queen Victoria. Her different roles – translator, mother, mender, marksman – keep the party from disaster, as suspicion and violence increase. And the quiet, impossible passion Kruger feels for her almost redeems their lives in a frozen hell.
But Afterlands is also a novel about what follows the life-changing event: the long shadow it casts, as well as the conflicting stories that compete to become historical record. Back in the world, the protagonists will experience various degrees of tragedy. Tukulito’s is perhaps the most personal, while Tyson, who sought only to gain the world’s esteem, is disgraced by later failure. Kruger, meanwhile, attempts to disappear into Mexico, again seeking a place beyond “the colonels of the world” – but he finds himself, perhaps inevitably, drawn once more into the unending conflicts between nations, between peoples.
This novel is a triumph of storytelling from one of Canada’s most acclaimed writers. Gripping and beautiful, it is a scintillating exploration of the extremes of human experience. Afterlands brilliantly examines both a devastating encounter with the natural world and the unrelenting demands of the human heart.
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BURY ME AT SEA
But what thinks Lazarus? Can he warm his blue hands by holding them up to the grand northern lights? Would not Lazarus rather be in Sumatra than here? Would he not far rather lay him down lengthwise along the line of the equator . . . go down to the fiery pit itself, in order to keep...
1. What is your overall view of Afterlands? Would you recommend the novel to others? Why, or why not?
2. What is the significance of the title Afterlands? What about the different titles of each part of the book? And what do you make of the epigraphs to the novel and to its various parts? (Which...
A New York Times Book Review Editors’ Choice
A Globe & Mail, National Post, Vancouver Sun, Ottawa Citizen, Vancouver Province and The Social Edge.com Best Book of 2005
“A magnificent novel about the wreckage of history–both the history that happens to us and the versions of it we create . . . A sophisticated, densely layered fictional exploration of survival, love, betrayal and the personal cost of history . . . Heighton is an experienced adventurer in literary form . . . a sense of boldness and risk-taking infuses Afterlands . . . A novel of big ideas and beautiful language.”
–The New York Times Book Review
“A triumph of a novel . . . A masterful blend of real-life historical account and modern storytelling . . . To try to contain this savage, beautiful tale into a few paragraphs is to do it an injustice. It is to be savoured . . . Steven Heighton has pulled off a masterpiece.”
–Daily Express (UK)
“Unforgettable . . . This is a big, wide, deep book . . . an intensely felt fiction . . . . Like Conrad, and unlike any other poet-novelist in this country–even Ondaatje–Heighton is shockingly real and character-driven even when he’s being his most mannered.”
–The Globe & Mail
“Skillfully constructed, beautifully written, told with a detachment that will put the reader in mind of Graham Greene, Afterlands is a superior example of a rare breed: the literary adventure story.”
–The Washington Post
“Afterlands is up there with the best work in the genre. . . This is gripping stuff . . . Heighton is a superb stylist, in complete control of the language.”
“Superb . . .One of the most gripping stories of the North to be found . . . There’s nail-biting adventure, unforgettable character studies, lessons about the resurgence of nationalism in today’s post-9/11 world. . . One of this year’s top novels . . . A story that deserves to be told and retold.”
“A wonderful, whiteout epic that unpicks the triumph and tragedy of the human spirit.”
“Compelling, vividly imagined, and written in rich and precise prose . . . The characters are wonderfully drawn: complex, convincing, yet unfathomable. But the real force of the book comes from the currents of history – of young nations rising and ancient civilizations ebbing–that run just below the surface of the story.”
–Financial Times (UK)
“Heighton churns history with a writerly imagination . . . [A] terrific go at the Great Arctic Novel.”
“A major work by any standards, uniting beautiful writing, unforgettable characters, and profound ideas on the lessons afforded by history.”
–Books in Canada
“Heighton is a wordsmith and sentence-sculptor of the old school . . . [In Afterlands] he strikes a match between form and content so apt that the author becomes, in the best of ways, invisible. . . It takes a rare combination of discipline and imagination to do such stories [as this] full justice, and Afterlands proves beyond any doubt that Heighton has got it.”
–The Gazette (Montreal)
“Compulsively readable, in the tradition of so many shipwreck stories, from Daniel Defoe’s Robinson Crusoe to Yann Martel’s Life of Pi.”
–Winnipeg Free Press
“The floe on which Heighton’s multi-ethnic characters are trapped serves not only as a tightly focused stage for the novel’s action, but also as a microcosm of the changing face of society and international relations at the time . . . [Heighton writes] lucidly, intelligently, and with humour . . . Afterlands will satisfy readers expecting the dreaded Gothic Romance at the same time as it wryly subverts the genre.”
“A quintessentially Canadian book . . .Gripping reading.”
“Vivid in its limning of character and its evocation of extreme conditions. . . .With no sign of strain [Heighton] brings far-flung settings within the remit of a single, thematically-unified work. He makes every sentence count . . . [and his cast] leaps out of history in a way that only the best-rendered characters can.
–The Vancouver Sun
“Heighton does a terrific job of recreating this epic adventure which has no parallel in Arctic history.”
“Ambitious . . . sophisticated . . . a magnificent novel.”
"Afterlands is a superb work of the imagination — a blend of fact and fiction that is handled with grace and mastery. The shifting landscape of the narrative is perfectly paralleled by the shifting Arctic landscape and the wildly changing fate of the hapless souls trapped on the ice floe. This is Heighton at his best."
—Helen Humphreys, bestselling author of The Lost Garden
"Afterlands is a sprawling adventure story, part epic of Arctic endurance, part Mex-western, a Lost in the Barrens meets The Magnificent Seven kind of book, with an unrequited love affair between a German seaman and an Inuit matron to add passion to an already passionate book. At the heart of Afterlands is an ambiguous hero, the disgraced German sailor Roland Kruger whose true-life bravery has inspired Heighton to create a complex, brooding, rebellious and mysteriously gentle central character. Afterlands is full of unforgettably dramatic moments: the tubercular Inuit girl Punie performing Mendelssohn in a New England concert hall, a gorgeous bear-bull fight in a Mexican plaza, and the long night when the men anchor their remaining whaleboat with their own bodies as the ice-floe sinks and frigid waves dash over them."
—Douglas Glover, Governor General-winning author of Elle: A Novel
Praise for Steven Heighton:
"Steven Heighton is one of the finest writers in this country."
—Barbara Gowdy, author of The Romantic
"One of the best writers of his generation, maybe the best."
"He is like a young Ondaatje . . . a superb craftsman at ease in foreign places and distant times."
—The Globe and Mail
"Heighton is a heavyweight . . . a master of realist narrative. The result is a genuine, hard-fought lyrical beauty that transcends fashion."
—The Vancouver Sun
"A bravura performance, intense and poetic . . . The Shadow Boxer fizzes with life and energy, and has a swaggering, larger-than-life quality."
—Independent on Sunday (UK)
"Fluid, rhythmical, full of force and grace, his sentences compel you to keep reading."
“Heighton is one of our most ambitious and prodigiously talented writers. . . . For those who roll their eyes at the prospect of another historical novel from a young CanLit star, rest assured that Heighton’s purpose here is not to dazzle with research, but rather to find characters at the boundary points in history, those rare moments when the tectonic plates of different cultures grind against one another and threaten destruction.”
–Quill & Quire