The Tiger Claw
The story immediately intrigued Baldwin, inspiring her to travel to Europe, seek out the places where Noor lived, interview the people who knew her and discover more about the enigmatic woman. The Giller Prize finalist The Tiger Claw — Baldwin’s follow-up novel to her award-winning What The Body Remembers — was born from the silences, conflicting stories and significant gaps she discovered along the way.
As the novel begins, we’re thrown into a bleak German prison cell with Noor, where she is shackled hand and foot and freezing from the winter’s cold. It is December 1943, the turning point in the war raging in Europe. Noor’s captor, Herr Vogel, allows her onionskin paper on which he directs her to write children’s stories. She does so, but also secretly writes letters to someone she addresses as “ma petite,” the spirit of the child she had conceived with Armand Rivkin, a French Jewish musician and the love of her life. Although she must keep the letters hidden from her captor, it is through these words to her unborn child, alternating with a thrilling third-person narrative, that we learn Noor’s courageous and heartbreaking story.
Noor’s mother is an American from Boston who married a Sufi musician and teacher from India. Growing up in France, Noor is extremely close with her liberal Muslim father, but when he dies, Noor’s conservative uncle Tajuddin and her brother Kabir govern the family.
Uncle Tajuddin and Kabir disapprove of Noor’s love for Armand, and as the men of the family in 1930s France, they have the legal right to stop her engagement. Noor is faced then with the choice between defying her family and turning against her heart. She stops seeing Armand, but is devastated and lonely. Once the war begins, Noor’s family heads to England while Armand’s family stays.
When Germany invades France, Noor despairs of ever seeing Armand again, until Kabir unwittingly introduces her to his new friend who is recruiting bilingual women for the resistance. Noor is offered training, and she accepts. She will help defeat the Germans, but her true purpose will be to find and reunite with Armand.
As a resistance agent, Noor trains to be a radio operator, taking on a second identity — Nora Baker — one of many names she will eventually assume. When she arrives in France, she plays Anne-Marie Régnier — a woman caring for her sick aunt — and to other spies in her resistance network, she is known as “Madeleine.”
She has secret rendezvous with other agents, transmits messages from various safe houses, and risks capture at every turn. She rents an apartment across the street from Drancy, the concentration camp where she knows Armand is being held. At great peril, she sends him a message — the tiger claw pendant she always wears for luck and courage.
Noor must wade her way through oppression and hypocrisy from all sides: h her beloved Armand could be killed by the Germans at any time; her French and British colleagues fight the occupation of France while Britain still occupies India; she learns of dark family secrets; and, one by one, members of the spy network are being ratted out by a double agent. Betrayal can come from anyone.
We know from the beginning that Noor will end up imprisoned, but who betrays her? Will she ever be released? Will Kabir find her? Will she and Armand be reunited? Baldwin paces the story like a nail-biting thriller, revealing only a little bit at a time.
The Tiger Claw is packed with complex characters riding the line between good and evil. In the end, it is the reader who must be the judge, and decide where he or she stands.
READ AN EXCERPT
December moved in, taking up residence with Noor in her cell, and freezing the radiator.
Cold coiled in the bowl of her pelvis, turning shiver to quake as she lay beneath her blanket on the cot. Above, snow drifted against glass and bars....
1. Shauna Singh Baldwin once said in an interview, “Fiction is telling a lie in order to tell the truth,” and in The Tiger Claw she has told the story of Noor Khan using more than just the known facts. What can we learn from fiction that can’t be learned from non-fiction? Should imagination be...
—The Giller Prize Jury
“Baldwin’s luminous prose captures the reader’s attention. . . . [She] immerses the reader in the atmosphere of the Vichy era, replete with undercurrents of terror and prejudice. . . . Readers, especially those interested in history and politics, will be intrigued by this gripping, richly textured novel penned by a consummate storyteller.”
—Winnipeg Free Press
“Baldwin has succeeded in crafting yet another indelible story based in fact.”
—The Edmonton Journal
“The Tiger Claw brilliantly reveals the shifting sands of allegiance in times of war and the duplicity required for survival when all who are operating underground are interdependent but no one can be trusted fully.”
—The Gazette (Montreal)
“The Tiger Claw is a brilliant novel, a harrowing story of espionage and love, of loyalty and betrayal in the treacherous world of WWII Europe. Shauna Singh Baldwin has an astonishing ability to paint a very large canvas with amazing detail. You are there. ‘Impressive’ hardly even begins to describe it: masterful. I could not put it down. A stunning achievement, but most of all, important.”
“A deeply felt, richly evocative novel that resurrects and reinvents a remarkable life, The Tiger Claw tells an affecting story of love and loss amidst the turbulence of war and human dislocation. It confirms Shauna Singh Baldwin as a major literary voice that transcends the borders that divide human experience.”
“The Tiger Claw is a fascinating story of moral complexity, inner conflict and exile, a magnificent portrait of a very courageous woman, Noor Inayat Khan, the legendary French Resistance fighter, whose divided conscience is reflected in the drama of Nazi-occupied France and British-occupied India. That Noor strikes us a modern figure of heroism and doubt is because of the compelling vision of Shauna Singh Baldwin.”
Praise for What the Body Remembers:
“A stunning first novel. Intensely atmospheric — an artistic triumph.”
—Publishers Weekly (starred review)
“An impressive achievement. . .rich, fascinating, epic. . . An original, extremely readable book that dramatizes the plight of Indian women with great sympathy and love.”
—The Gazette (Montreal)
“A captivating jewel of a novel by a seasoned and sophisticated writer. . . Beyond being a compelling tale of individuals, What the Body Remembers offers a gimlet-eyed view of a pluralistic society’s disintegration into factionalism and anarchy.”
—The Washington Post