The Song Machine
Inside the Hit Factory
In The Song Machine, longtime New Yorker staff writer John Seabrook tells the story of the massive cultural upheaval that produced these new, super-strength hits. Seabrook takes us into a strange and surprising world, full of unexpected and vivid characters, as he traces the growth of this new approach to hit-making from its obscure origins in early 1990s Sweden to its dominance of today's Billboard charts.
Journeying from New York to Los Angeles, Stockholm to Korea, Seabrook visits specialized teams composing songs in digital labs with new "track-and-hook" techniques. The stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Stargate, Ester Dean, and Dr. Luke, The Song Machine shows what life is like in an industry that has been catastrophically disrupted—spurring innovation, competition, intense greed, and seductive new products.
Going beyond music to discuss money, business, marketing, and technology, The Song Machine explores what the new hits may be doing to our brains and listening habits, especially as services like Spotify and Apple Music use streaming data to gather music into new genres invented by algorithms based on listener behavior.
Fascinating, revelatory, and original, The Song Machine will change the way you listen to music.
Well researched…. Seabrook…takes us inside the troubled modern music business. — Touré (New York Times Book Review)
Fascinating…. lively, entertaining and often insightful, of interest both to pop mavens and to those who couldn’t imagine caring about the latest hits. — Christopher Carroll (Wall Street Journal)
Fascinating…. Copy editors will rejoice at Seabrook’s well-written and deeply researched book. He is a staff writer for The New Yorker and his book fits into that magazine’s penchant for telling very detailed stories about things you might not notice about pop culture. — Charles R. Cross (Seattle Times)
A fascinating history, one that encompasses everything from the Brill Building and Phil Spector to Afrika Bambaataa to ‘American Idol.’ Running underneath the human stories like a bassline is the inexorable flow of technology. — Kate Tuttle (Boston Globe)
Invaluable. — Louis Bayard (Washington Post)
A revelatory ear-opener. — Kirkus Reviews, Starred Review
Brilliant. — Michael Hann (The Guardian)