The Great Man

Publisher: Anchor
Winner of the PEN/Faulkner Award for Fiction

Oscar Feldman, the renowned figurative painter, has passed away. As his obituary notes, Oscar is survived by his wife, Abigail, their son, Ethan, and his sister, the well-known abstract painter Maxine Feldman. What the obituary does not note, however, is that Oscar is also survived by his longtime mistress, Teddy St. Cloud, and their daughters.

As two biographers interview the women in an attempt to set the record straight, the open secret of his affair reaches a boiling point and a devastating skeleton threatens to come to light. From the acclaimed author of The Epicure's Lament, a scintillating novel of secrets, love, and legacy in the New York art world.

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One


“It’s amazing how well you can live on very little money,” said Teddy St. Cloud to Henry Burke over her shoulder as she strode into the kitchen of her Brooklyn row house. She hoped he was noticing that her hips and waist were still girlishly slender, her step youthful, and that he...
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READING GUIDE

The Great Man is as unexpectedly generous as it is entertaining. . . . Wise and expansive. . . . Christensen is a witty observer of the art universe.”
The New York Times

The introduction, discussion questions, and suggestions for further reading that follow are designed to...
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PRAISE FOR

The Great Man is as unexpectedly generous as it is entertaining. . . . Wise and expansive. . . . Christensen is a witty observer of the art universe.” —The New York Times “Christensen's writing is clear-eyed, muscular, bitingly funny, and supremely caustic about the niceties of social relations, contemporary American culture, and sexual politics.” —O, The Oprah Magazine “These characters are wonderfully developed and break the stereotype of the aging female protagonist. Christensen . . . boldly has raised the bar.” —USA Today "Nimble, witty and discerning, Kate Christensen is single-handedly reinvigorating the comedy of manners with her smart and disemboweling novels of misanthropes, cultural and aesthetic divides, private angst, social ambition and appetites run amok." —Chicago Tribune