Leaving the Atocha Station was hailed as "one of the truest (and funniest) novels...of his generation" (Lorin Stein, New York Review of Books), "a work so luminously original in style and form as to seem like a premonition, a comet from the future" (Geoff Dyer, The Observer). Now Lerner's second novel departs from Atocha's exquisite ironies in order to explore new territories of thought and feeling.
In the last year, the narrator of 10:04 has enjoyed unexpected literary success, has been diagnosed with a potentially fatal heart condition, and has been asked by his best friend to help her conceive a child, despite his dating a rising star in the visual arts. In a New York of increasingly frequent super storms and political unrest, he must reckon with his biological mortality, the possibility of a literary afterlife, and the prospect of (unconventional) fatherhood in a city that might soon be under water.
In prose that Jonathan Franzen has called "hilarious...cracklingly intelligent...and original in every sentence," Lerner captures what it's like to be alive now, when the difficulty of imagining a future has changed our relation to both our present and our past. Exploring sex, friendship, medicine, memory, art, and politics, 10:04 is both a riveting work of fiction and a brilliant examination of the role fiction plays in our lives.
"[A] frequently brilliant second novel. . . . Lerner writes with a poet's attention to language, and manages to make his preoccupation with identity more than solipsistic." --The New York Times
"[Ben Lerner]'s self-conscious, funny and smart . . . 10:04 is a mind-blowing book. Lerner's dazzling writing connects and collapses [multiple] storylines into one. . . . [S]trange and spectacular. Don't even worry about classifying it; just let Lerner's language sweep you off your feet." --NPR
"Beautiful." --The Globe and Mail