In 1948, a dedicated priest named August Day arrives in Mercy to take over from Father Rock, who has passed away. Although Father Day is young, the bishop has seen fit to let him take over the parish, and August feels he is fulfilling his years of devotion, study and struggle -- at last being able to serve God as alter Christus, or another Christ. The first service he is to perform in his new church is the marriage of Thomas Rose, the town butcher, to Mathilda Nickels, the orphaned niece of the church housekeeper.
Thomas Rose is a good man who waited years to express his love for Mathilda. And when Mathilda accepted his proposal, he was sure that their life together would bring them both joy, though in truth he knew little about his betrothed. Mathilda grew up in a Catholic orphanage and has since been living with her aunt Vera at St. Mary’s; she has not explored the world beyond the realm of her religious devotion, and approaches her wedding day with a mix of fear and dread. But when her eyes meet those of Father Day at the ceremony, Thomas seems to dissolve beside her and she feels physical passion for the first time in her life. As of that moment, August and Mathilda will only have eyes, and hearts, for each other.
Over the coming weeks, the young bride spends more and more time at St. Mary’s, caring for her ailing aunt and taking over the woman’s cleaning duties, but also savouring her brief moments with Father Day. Her marriage remains unconsummated, and her lust for the priest grows to fever pitch, as does his for her -- fuelled not only by the secrets they share in the confessional, but by the fiery text of the Song of Songs. When they do unite, it seems to mark the end of their secret relationship… but the child Mathilda carries away from the encounter assures us their story is not over. Rather, it is yet another thread to add to the tapestry of unspoken stories underpinning Mercy itself, and one that will affect the town’s psyche for decades to come.
Half a century later, another sort of preacher comes to Mercy -- a womanizing widower who wants to develop the black spruce bog on the edge of town and build a religious camp. Reverend Carl Mann is fairly confident of success, having taken up with Mayor Lavinia Wylie, but worries about the well-publicized protests of a woman known as Bog Mary, who has lived her entire life in the heart of the bog. He heads off to confront her and ends up lost and hurt, but Mary uses her natural remedies and knowledge to heal not only his wounds but his broken spirit.
A dark yet compassionate novel, Mercy rivals the fiction debuts of Anne Michaels, Ann-Marie MacDonald and Gail Anderson-Dargatz. Alissa York brings to life a tale of misguided love and damaged souls with language of incredible clarity and intensity.
READ AN EXCERPT
1 BEEF: A GOOD BLEED
Six o’clock. Thomas Rose steps out from behind his counter and crosses to the shop window, finding Train Street long with light, deserted for the supper hour. In the opposing storefront he can see Hy Warner bending to sweep the...
1. There are extensive descriptions of Thomas Rose’s work as a butcher -- cutting meat, slaughtering animals, working in his shop -- in the first half of Mercy. Discuss the effect of the more graphic scenes on your reading and your view of him as a character. How did the killing room scenes make you...
—The Vancouver Sun
“A debut that’s pure magic... [Mercy] is stunning in its emotive power and emotional resonance. York’s prose is taut and finely honed; her themes and the characters and settings that propel them are far-reaching and profound. It’s sensual, full of yearning and longing for the heat of love.”
—The Hamilton Spectator
“Alissa York is perched on the edge of literary big time with the launch of her debut novel. An intelligent and largely riveting story... spectacular.”
—The Winnipeg Free Press
“Alissa York is a writer to be reckoned with.... This is the type of book that makes one marvel. Each and every phrase, no matter how incongruous, creates an unforgettable image, and each and every image, no matter how bizarre, builds this tightly choreographed story to its near-impossible dual climax.”
—The Edmonton Journal
“Mercy is story that lingers with you long after its pages end and will likely garner even more awards and accolades for its author.”
“Past and present circle round in a series of cartwheels that York stage-manages to create an exquisitely rendered novel that is almost painful to read.”
—Quill & Quire
“York is emotionally unflinching, and her writing is sharp-edged and intense. She can depict both beauty and rot with equal felicity…. the novel ultimately ascends to a level of Gothic melodrama that thousands of Fall on Your Knees fans will no doubt adore…. Rewarding … a blinding flash of light, a flare gun in a darkening universe of lost souls.”
—The Globe and Mail
“Lean and poetic … potently seductive.”
Praise for Any Given Power:
"Some events in life — loves, losses, injuries, dark discoveries — enter us by force and linger on as symbols that soothe or plague us in ways we barely understand. York has considered these mysteries and turned them into prose that quietly sings. The best of these stories support the note-by-note song with brilliant structure, hitting body and spirit together."
—The Globe and Mail
"[York's] prose is energetic, muscular and exciting... [she writes about] pain, cruelty, passion and redemption set against a beautifully observed and delicately realized natural world."
—The Canadian Forum