But fury is all around him. An astonishing work of explosive energy, Fury is by turns a pitiless and pitch-black comedy, a love story of mesmerizing force, and a disturbing inquiry into the darkest side of human nature.
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1. Rushdie writes, “Life is fury. Fury–sexual, Oedipal, political, magical, brutal–drives us to our finest heights and coarsest depths.” Consider what he means by assigning all of these implications to the word. How does it play into the plot and characterizations of the novel? Why do you think...
“An exhilarating read. Angry, provocative, infuriating, intelligent, scarifying--one page of Fury is worth a thousand pages of the grey, risk-averse prose that passes so often for contemporary literary fiction.” The Globe and Mail
“Rushdie’s ideas–about society, about culture, about politics–are embedded in his stories and in the interlocking momentum with which he tells them.... All of Rushdie’s synthesizing energy, the way he brings together ancient myth and old story, contemporary incident and archetypal emotion, transfigures reason into a waking dream.” Los Angeles Times Book Review
“Well, here it is, then, his first 3-D, full-volume American novel, finger-snapping, wildly stupefying, often slyly funny, red-blooded and red-toothed. Fury twinkles brightly in tragicomic passages.” The Miami Herald
“Manic, absurdist, biting, over-the-top and very funny.... Fury dares to go off the deep end.” The Vancouver Sun
“Fury is a bitter howl of rage and an epic, surprising love letter.” The Guardian