The year is 1984. Aomame is riding in a taxi on the expressway, in a hurry to carry out an assignment. Her work is not the kind that can be discussed in public. When they get tied up in traffic, the taxi driver suggests a bizarre 'proposal' to her. Having no other choice she agrees, but as a result of her actions she starts to feel as though she is gradually becoming detached from the real world. She has been on a top secret mission, and her next job leads her to encounter the superhuman founder of a religious cult. Meanwhile, Tengo is leading a nondescript life but wishes to become a writer. He inadvertently becomes involved in a strange disturbance that develops over a literary prize. While Aomame and Tengo impact on each other in various ways, at times by accident and at times intentionally, they come closer and closer to meeting. Eventually the two of them notice that they are indispensable to each other. Is it possible for them to ever meet in the real world?
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Don't Let Appearances Fool You
The taxi's radio was tuned to a classical FM broadcast. Janácek's Sinfonietta-probably not the ideal music to hear in a taxi caught in traffic. The middle-aged driver didn't seem to be listening very closely, either. With his mouth clamped shut, he...
1. 1Q84 is a vast and intricate novel. What are the pleasures of reading such a long work, of staying with the same characters over such a long period of time?
2. Murakami has said he is a fan of the mystery writer Elmore Leonard. What elements of the mystery genre does 1Q84 employ? How does Murakami...
"One of those rare books that disappear in your hands, pulling you into its mysteries with such speed and skill that you don't even notice as the hours tick by and the mountain of pages quietly shrinks. . . . In typical Murakami fashion, the result is deeply weird--and surprisingly convincing. . . . Its enigmatic glow makes the world seem a little strange long after you turn the last page."
—Entertainment Weekly (Grade: A)